On Thu, 19 Jul 2007 21:56:22 GMT, Christopher J. Henrich wrote in
Post by Christopher J. HenrichPost by Joe Bednorz"Good Bad Books", an Essay by George Orwell from 1945
<http://whitewolf.newcastle.edu.au/words/authors/O/OrwellGeorge/essay/ShootingElephant/goodbadbooks.html>
Elephant/goodbadbooks.htmlhttp://whitewolf.newcastle.edu.au/words/authors/O/Or
wellGeorge/essay/ShootingElephant/goodbadbooks.html>
A type of book which we hardly seem to produce in these days,
but which flowered with great richness in the late nineteenth
and early twentieth centuries, is what Chesterton called the
good bad book: that is, the kind of book that has no literary
pretensions but which remains readable when more serious
productions have perished.
<http://www.netcharles.com/orwell/essays/goodbadbooks.htm>
Thanks for the correction.
Just in case, here's the corrected original.
<http://whitewolf.newcastle.edu.au/words/authors/O/OrwellGeorge/essay/ShootingElephant/goodbadbooks.html>
Post by Christopher J. HenrichC. S. Lewis wrote a sort of rejoinder to this, "On High and Low Brows."
I don't think it is on the Net; Lewis's works are still under
copyright. It's in the collection /Selected/ /Literary/ /Essays/ .
By the way, can anyone identify the Chesterton work in which he
mentioned "good bad books?" The net doesn't help me. It seems that
everyone who uses the phrase cites Orwell.
I accidently searched Usenet instead of the Web and hit this gem among
just eight results.
<http://groups.google.com/group/soc.culture.south-africa/msg/802a4e8bcaaa9f34?hl=en&>
"Chesterton wrote that there are four types of book, good good
books, good bad books, bad good books and bad bad books."
- Peter H.M. Brooks
Chesterton, "good bad books" and "bad bad" led to this:
<http://jonloomis.blogspot.com/2007/06/good-bad-books.html>
'I've been trying to track down the origin of the "good bad books"
construction, which seems to go back to G. K. Chesterton, and was then
amplified a bit later by Orwell in his essay Good Bad Books. I wish I
could find the exact Chesterton quoteit may be paraphrased from his
essay "A Defence of Detective Stories,"
<http://www.fullbooks.com/The-Defendant.html>
which opens with this very funny paragraph...'
====== Begin Quote ======
In attempting to reach the genuine psychological reason for the
popularity of detective stories, it is necessary to rid ourselves of
many mere phrases.
It is not true, for example, that the populace prefer bad literature
to good, and accept detective stories because they are bad literature.
The mere absence of artistic subtlety does not make a book popular.
Bradshaw's Railway Guide contains few gleams of psychological comedy,
yet it is not read aloud uproariously on winter evenings. If detective
stories are read with more exuberance than railway guides, it is
certainly because they are more artistic.
Many good books have fortunately been popular; many bad books, still
more fortunately, have been unpopular. A good detective story would
probably be even more popular than a bad one. The trouble in this
matter is that many people do not realize that there is such a thing as
a good detective story; it is to them like speaking of a good devil.
To write a story about a burglary is, in their eyes, a sort of
spiritual manner of committing it. To persons of somewhat weak
sensibility this is natural enough; it must be confessed that many
detective stories are as full of sensational crime as one of
Shakespeare's plays.
====== End Quote ======
That's all so far.
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Joe Bednorz