On Wed, 24 Jul 2024 18:07:07 -0400, "Jim Wilkins"
Post by Paul S PersonOn Mon, 22 Jul 2024 21:28:28 -0400, "Jim Wilkins"
...
The movie I remember (vaguely) was of the musical play based on their
1) two couples, one adult, one young
2) the /adult/ couple thrives
3) the /young/ couple does not
/South Pacific/ uses the same formula.
This is what the 50's (that is, the Greatest Generation) found
romantic. And re-assuring (they identified, of course, with the adult
couple, and took joy in the failure of the young whippersnappers).
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Georg von Trapp's first wife died from scarlet fever. He has a light weight
affair with a socialite before Maria snares him. They stayed together until
his early death, likely resulting from the poisonous fumes in the
gasoline-powered U-Boot. The daughter's romance with the singing Nazi boy
ended when they left.
I don't think he didn't in the film (and so likely not in the play).
I'm surprised the daughter's romance wasn't made up out of whole
cloth. But perhaps it was, and you are including real-life and
fictional elements together willy-nilly in the belief they contradict
the pattern presented.
Post by Paul S PersonIn "South Pacific" American nurse Nellie Forbush falls for older French
plantation owner Emile De Becque who has many children from affairs with
various local women, some dark Polynesians who Forbush, from Little Rock,
can't separate from Negros. She avoids strife at home by staying with him.
The other romance is between Lt Cable and a Tonkinese (Vietnamese) girl he
knows won't be accepted back home in Philadelphia. His heroic death is the
resolution. External events separated both young couples.
IIRC, a theater in Little Rock was firebombed and burned to the ground
for daring so show /South Pacific/, a film depicting the products of
miscegenation. Semi-fascist ultra-MAGA types have been around for a
lot longer than a certain D. Trump.
And the brave Defenders of the White Race who destroyed the theater
didn't distinguish between "Polynesian" and "African" (or, for that
matter, "sub-continental Indian") either. They weren't fond of
Orientals and Roman Catholics (however white). They just hated them
all. And still do, of course.
In both cases, the adult couples get married which, in the 50's was
Success with a capital "S". How long either partner lasted after that
was not important.
And, in both cases, the budding love of the younger couple was
bitterly ended by cruel fate. What, you thought these things ended
because they broke up over some teenage nonsense? Actually killing the
Lt off for daring to fall in love with a non-white person was the only
possible solution. Still didn't compensate for the miscegenation,
however.
The singing Nazi boy may or may not have survived the war; the
relationship did not, and that is all that matters.
IIRC, /The King and I/ followed the same pattern, although I no longer
recall how the young couple fared in the Yul Brynner film of the
musical. In the animated version, of course, both couples do just fine
but then, that was done for the kiddies. This does make the King look
better, especially the rescue.
--
"Here lies the Tuscan poet Aretino,
Who evil spoke of everyone but God,
Giving as his excuse, 'I never knew him.'"